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NEW QUESTION: 1
Which of the following type of cryptography is used when both parties use the same key to communicate securely with each other?
A. Diffie-Hellman
B. Symmetric Key Cryptography
C. PKI - Public Key Infrastructure
D. DSS - Digital Signature Standard
Answer: B
Explanation:
Symmetric-key algorithms are a class of algorithms for cryptography that use the same cryptographic keys for both encryption of plaintext (sender) and decryption of ciphertext (receiver). The keys may be identical, in practice, they represent a shared secret between two or more parties that can be used to maintain a private information link.
This requirement that both parties have access to the secret key is one of the main drawbacks of symmetric key encryption, in comparison to public-key encryption. This is also known as secret key encryption. In symmetric key cryptography, each end of the conversation must have the same key or they cannot decrypt the message sent to them by the other party.
Symmetric key crypto is very fast but more difficult to manage due to the need to distribute the key in a secure means to all parts needing to decrypt the data. There is no key management built within Symmetric crypto.
PKI provides CIA - Confidentiality (Through encryption) Integrity (By guaranteeing that the message hasn't change in transit) and Authentication (Non-repudiation). Symmetric key crypto provides mostly Confidentiality.
The following answers are incorrect:
-PKI - Public Key Infrastructure: This is the opposite of symmetric key crypto. Each side in PKI has their own private key and public key. What one key encrypt the other one can decrypt. You make use of the receiver public key to communicate securely with a remote user. The receiver will use their matching private key to decrypt the data.
-Diffie-Hellman: Sorry, this is an asymmetric key technique. It is used for key agreement over an insecure network such as the Internet. It allows two parties who has never met to negotiate a secret key over an insecure network while preventing Man-In-The-Middle (MITM) attacks.
-DSS - Digital Signature Standard: Sorry, this is an asymmetric key technique.
The following reference(s) was used to create this question: To learn more about this questions and 100% of the Security+ CBK, subscribe to our Holistic Computer Based Tutorial (CBT) on our Learning Management System at: http://www.cccure.tv and http://en.wikipedia.org/wiki/Symmetric-key_algorithm

NEW QUESTION: 2
An organization is determining an acceptable amount of downtime. Which of the following aspects of cloud design should the organization evaluate?
A. ERP
B. RTO
C. RPO
D. TCO
Answer: B

NEW QUESTION: 3
This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and
wider-ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It
is infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese
colony on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growthdriven, increasingly corporate society.
Which of the following does the passage present as a fact?
A. Abe's work is richer than his contemporaries' because he included autobiographical elements.
B. The themes of furusato and the emperor have precluded Japanese literature from playing a major role
in world literature.
C. Abe was a better playwright than novelist.
D. The group of avant-garde artists of which Abe was a part were influenced by Marxism.
E. Abe's early work was of greater quality than his later work.
Answer: D
Explanation:
This question basically asks you to distinguish between the author's opinion and the basic facts of Abe's
career. Choices (A), (B), and E. all contain evaluative opinions, so eliminate them. The author expresses
strong opinions about the themes furusato and the emperor, but never presents any facts about their
influence on Japanese literature in the world. The best answer is (C). The author presents it as a known
fact that young Japanese artists after World War II were interested in Marxism.

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